Mauro F. Guillén sostiene que el mundo que conocemos va a desaparecer, probablemente, en menos de diez años. Su libro trata no solo de exponer las razones principales del final de nuestra realidad, sino también de apuntar cómo podemos adaptarnos a los cambios que vendrán de la mejor manera posible para conseguir que el impacto en nuestras vidas sea mucho menor.

Niall Ferguson lleva a cabo, en esta obra, un trabajo de gran envergadura al construir una teoría general de los desastres. No se trata solamente del coronavirus en particular, o las pandemias en general, sino de todo tipo de catástrofes, ya sean geológicas, geopolíticas, biológicas o tecnológicas. Si alguien quiere conocer, por tanto, qué lecciones pueden extraerse de los desastres, debe leer este libro.

continent. 1.2 (2011): 145-147. Here I accoutred myself in my new habiliments; and, having em- ployed the same precautions as before, retired from my lodging at a time least exposed to observation. It is unnecessary to des- cribe the particulars of my new equipage; suffice it to say, that one of my cares was to discolour my complexion, and give it the dun and sallow hue which is in most instances characteristic of the tribe to which I assumed to belong; (...) and that when my metamorphosis was finished, I could not, upon the strictest ex- amination, conceive that any one could have traced out the per- son of Caleb Williams in this new disguise. William Godwin Caleb Williams (352). Giorgio Agamben. Nudities . Trans. David Kishik and Stefan Pedatella. Stanford: Stanford University Press, 2011. 144 pp. | 10 illustrations. | ISBN: 9780804769501 | $16.95 A. The Protective Overcoat. The most pervasive, resilient, robust, sneaky, and significant concept in all of Giorgio Agamben’s essays is that of separation. This is not the same as alienation. Separation is more nostalgic, for Agamben valorizes an ancient world in which human society and its beings were not subject to such separation. He implies that these separations are damaging to human beings, crippling them at the very level of their identities. $4.99 B. The Handsome Gloves. Giorgio Agamben’s Nudities , like Profanations before it, employs a wide range of subjects in order to establish separation as a metaphor, in much the same way that interdisciplinary scholars have adopted Michel Foucault’s concepts in order to rethink societies and texts. The longest essay from Profanations, entitled “In Praise of Profanation,” laments humankind’s inability to profane as the result of what Walter Benjamin has called “the capitalist religion.” Likewise, “Nudity” adopts a pessimistic stance on the Christian theological tradition’s perverse asphyxiation of the unclothed body. $2.50 C. The Hoop Earrings. Religion separates humans from things by procuring for itself items as “sacred,” thus taking them out of common use. In this state, human beings are unable to play with them, unable to change their use-value. They become off-limits, museified. $1,499.00 D. The Uncomfortable Shoes. Biometrics polices identity, replacing meaningful metrics of identity. It is a deplorable situation that leaves human beings in danger of, and indeed already victims of, mass persecution. $111.75 E. The Prince Albert. One could characterize Giorgio Agamben’s desire to catalogue a history of ignorance as a recognition that human beings are separated from knowledge by language. Where then is the prophet, and how shall we be saved? $49.50 + tip F. The Corset. Franz Kafka’s character of Joseph K. has put himself on trial, as in Roman trials when the Kalumniator was marked with the letter K. The torture he undergoes is meant to elicit a confession of the truth. It is possible that Giorgio Agamben perceives his role as a philosopher to be confined to self-trial, and that with every passage he flays the unclothed page with prophetic intent. $27.00 G. The Derby. Giorgio Agamben himself tries to bridge various separations through exploratory play. He is not a performative writer semantically, but his exploratory style is rooted in the play spirit. His strategy of numbering points is almost comical, yet it is not misleading. It is play, after all, not ruse. He denudes with pecks, like carrion on a tattered corpse. $11.00 H. The Trousers. Although Giorgio Agamben is elsewhere concerned with the profanation of religion’s apparatuses, in essay nine he would like to consider what is consumed during days of inoperativity, how religion governs these, and how to account for our binges and purges. Inoperativity is inextricably bound to feasting, to the festival. $24.50 I. The Stylish Belt. The only essay in Nudities to contain photographs is the essay entitled, “Nudity.” All of these photographs project human bodies. $.01 I The aim here is not to tap into an original state prior to the separation but to comprehend and neutralize the apparatus that produced this separation. (66) II The contemporary is he who firmly holds his gaze on his own time so as to perceive not its light but rather its darkness. (13) III We can therefore only experience nudity as a denudation and a baring, never as a form and a stable possession. (65) IV Just as genius and talent originally distinct and even opposite—are nevertheless united in the work of the poet, so the work of creation and the work of salvation, inasmuch as they represent the two powers of a single God, remain in some way secretly conjoined. (6) V In our culture, the face-body relationship is marked by a fundamental asymmetry, in that our faces remain for the most part naked, while our bodies are normally covered. (88) VI Every man initiates a slanderous trial against himself. (21) VII The glorious body is not some other body, more agile and beautiful, more luminous and spiritual; it is the body itself, at the moment when inoperativity removes the spell from it and opens it up to a new possible common use. (103) VIII As Kleist understood so well, the relationship with a zone of nonknowledge is a dance. (114) IX The deactivation of this apparatus retroactively operates, therefore, as much on nature as on grace, as much on nudity as on clothing, liberating them from their theological signature. (90) X At any rate, whether festive inoperativity precedes religion or results from the profanation of its apparatuses, what is essential here is a dimension of praxis in which simple, quotidian human activities are neither negated nor abolished but suspended and rendered inoperative in order to be exhibited, as such, in a festive manner. (112) XI This is just how much [of] the land [the] surveyor is allowed to catch a glimpse. (36). (shrink)

David Keyt presents a clear and accurate new translation of the the fifth and sixth books of Aristotle's Politics, together with a philosophical and historical commentary. The Politics is a key document in Western political thought; it raises and discusses many political issues, theoretical and practical, which are still widely debated today. The major topics of these two books are equality, democracy, tyranny, revolution, and reform.

David Houston Jones builds a bridge between practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example performance and installation art, as well as photography. Contemporary work in these areas responds both to forensic evidence, including crime scene photography, and to some of the assumptions underpinning its consumption. It asks how we look, and in whose name, foregrounding and scrutinising the enduring presence of voyeurism in visual (...) media and instituting new forms of ethical engagement. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence. It displays an enduring debt to the discursive model of testimony which has so far been insufficiently recognised, and which forms the basis for a new ethical understanding of the forensic. Jones's analysis brings this methodology to bear upon a strand of contemporary visual activity which has the power to significantly redefine our understandings of the production, analysis and deployment of evidence. Artists examined include Forensic Architecture, Simon Norfolk, Melanie Pullen, Angela Strassheim, John Gerrard, Julian Charrière, Trevor Paglen, Laura Poitras and Sophie Ristelhueber. The book will be of interest to scholars working in art history, visual culture, literary studies, modern languages, photography and critical theory. (shrink)

In the most radical rereading of the opening chapters of Genesis since the Zohar, David Kishik reveals the post-secular and post-human implications of an ancient text that is part of our cultural DNA.

David Levine and Mathew Bowker explore cultural and political trends organized around the conviction that the world we live in is a dangerous place to be, that it is dominated by hate and destruction, and that in it our primary task is to survive by carrying on a life-long struggle against hostile forces. Their method involves the analysis of public fantasies to reveal their hidden meanings. The central fantasy explored is the fantasy of a destroyed world, which appears most (...) commonly in the form of post-apocalyptic and dystopian narratives. Their special concern in the book is with defenses against the painful consequences of the dominance of this fantasy in the inner world, especially defenses involving the use of guilt to assure that something can be done to repair the destroyed world. Topics explored include: the formation of internal fortresses and their projection into the world outside, forms of guilt including bystander guilt and survivor guilt, the loss of and search for home, and manic forms of reparation. (shrink)

Citizens in the contemporary world have become alienated from politics because they conceive of it as an instrumental activity. David Antonini argues that Hannah Arendt's thought can help us recover meaningful political experience: a distinct experience of politics in which citizens can speak and act together.

Assorted fruit from forty years' writing, these essays by David Braybrooke discuss (in Part One of the book) a variety of concrete, practical topics that ethical concerns bring into politics: people's interests; their needs as well as their preferences; their work and their commitment to work; their participation in politics and in other group activities. Essays follow on the justice with which theme matters are arranged for and on the common good in which they are consolidated. Justice here inspires (...) a 'departures' approach, which moves from agreement on departures from commutative justice to agreement on measures of distributive justice needed to forestall such departures. Another essay (first published here) radically undermines the odd but entrenched belief that utilitarianism classically licenced, even prescribed, systematically sacrificing the happiness of some people to give others greater pleasure. Part II and Part III of the book concentrate upon the subject of settled social rules, which are devices for securing the objectives treated in Part I. Part II shows that rules are ubiquitous in ethics, since there are no virtues without rules, just as there are no (justified) rules; without virtues. Part Two also shows that rules are as ubiquitous in social phenomena as the causal regularities sought by one school of social science. Part III captures the dialectic of history at least in part by a logical analysis of changes in rules following the onset of quandaries. It then considers how political choices can be both prudent, by keeping within duly considered incremental limits, and yet imaginative enough to escape the recent embarrassments generated by social choice theory. Characteristically versatile in topic and style, Braybrooke offers original light on all theme subjects. One reader has commented, ' His] prose is elegant and always a pleasure to read. Some of the pieces are nothing short of brilliant.' Which did the reader have in mind? Readers may differ (they already have) on just which pieces they would rank highest. (shrink)

The orphaned son of an Anglican clergyman, David Hartley was originally destined for holy orders. Declining to subscribe to the Thirty-Nine Articles, he turned to medicine and science yet remained a religious believer. This, his most significant work, provides a rigorous analysis of human nature, blending philosophy, psychology and theology. First published in two volumes in 1749, Observations on Man is notable for being based on the doctrine of the association of ideas. It greatly influenced scientists, theologians, social reformers (...) and poets: Samuel Taylor Coleridge, who named his eldest son after Hartley, had his portrait painted while holding a copy. In Volume 1, Hartley utilises Newtonian science in his observations. He presents a theory of 'vibrations', explaining how the elements of the nerves and brain interact as a result of stimulation, creating 'associations' and emotions. (shrink)

Why does agency-the capacity to make choices and to act in the world-matter to us? Why is it meaningful that our intentions have effects in the world, that they reflect our sense of identity, that they embody what we value? David Kyuman Kim addresses these crucial questions by uncovering the political, moral, philosophical, and religious dimensions of human agency. Through a critical engagement with the work of theorists such as Judith Butler, Charles Taylor, and Stanley Cavell, Kim argues that (...) late modern and postmodern agency is found most effectively at work in what he calls "projects of regenerating agency" or critical and strategic responses to loss. Agency as melancholic freedom begins and endures, Kim maintains, through the moral and psychic losses associated with a broad range of experiences, including the moral identities shaped by secularized modernity and the multifold forms of alienation experienced by those who suffer the indignities of racial, gender, class, and sexuality discrimination and oppression. Kim calls for renewing the sense of urgency in our political and moral engagements by seeing agency as a vocation, where the aspiration for self-transformation and the human need for hope are fundamental concerns. (shrink)

In this uniquely and timely collection, David LaRocca offers us a thoughtful reminder that the very possibility and urgent task of thinking, of our acting and judging, ethics and politics, rests upon a willing exposure to an aspect of our everyday and ordinary experience that is hard to grasp and eludes most, perhaps all, epistemic criteria. Metaphysicians, mystics, and moral perfectionists of all stripes have called this 'the transcendental', thus risking the fatal misunderstanding that this means only 'the transcendent', (...) leading to the dualist assumption that we are citizens of two separate (earthly and heavenly) cities or (phenomenal and noumenal) worlds. Yet the truth is far more simple, if much harder to accept and then also live by. We are what we are, here and now. Yet we're not, therefore, irrevocably bound by what thus is said 'to be' -- much less by the proverbial powers that will always be -- in what we can still further imagine and aim or hope for, against the odds, as it were. In this brilliantly edited and introduced anthology, LaRocca presents us with the broadest selection of authors, philosophers, visionaries, and artists, who have expressed this simple, difficult truth and freedom in the most profound and varied ways."--Hent de Vries's review, p. [i]. (shrink)

Wars have played a momentous role in shaping the course of human history. The ever-present specter of conflict has made it an enduring topic of interest in popular culture, and many movies, from Hollywood blockbusters to independent films, have sought to show the complexities and horrors of war on-screen. In The Philosophy of War Films, David LaRocca compiles a series of essays by prominent scholars that examine the impact of representing war in film and the influence that cinematic images (...) of battle have on human consciousness, belief, and action. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and the ethical problems presented by war. Drawing upon analyses of iconic and critically acclaimed war films such as Saving Private Ryan (1998), The Thin Red Line (1998), Rescue Dawn (2006), Restrepo (2010), and Zero Dark Thirty (2012), this volume's examination of the genre creates new ways of thinking about the philosophy of war. A fascinating look at the manner in which combat and its aftermath are depicted cinematically, The Philosophy of War Films is a timely and engaging read for any philosopher, filmmaker, reader, or viewer who desires a deeper understanding of war and its representation in popular culture. (shrink)

What is the cultural value of illegal works that violate the copyrights of popular fiction? Why do they persist despite clear and stringent intellectual property laws? Drawing on the disciplines of new media, law, and literary studies, Illegal Literature suggests that extralegal works such as fan fiction are critical to a system that spurs the evolution of culture. Reconsidering voices relegated to the cultural periphery, David S. Roh shows how infrastructure--in the form of legal policy and network distribution--slows or (...) accelerates the rate of change. He analyzes the relationship between intellectual property rights and American literature in two recent copyright disputes. And, in comparing American fan fiction and Japanese dojinshi, he illustrates how infrastructure and legal climates detract from or encourage fledgling creativity. Illegal Literature fills a crucial gap between the scholarly and the popular by closely examining several modes of marginalized cultural production. Roh makes the case for protecting an environment conducive to literary heresy, the articulation of an accretive rather than solitary authorial genius, and the idea that letting go rather than holding on is important to a generative creative process. In a media ecology inundated by unauthorized materials, Illegal Literature argues that the proliferation of unsanctioned texts may actually benefit literary and cultural development. (shrink)

The material reprinted in this two-volume set, first published in 1989, covers the first eighty-five years in responses to George Berkeley’s writings. David Berman identifies several key waves of eighteenth-century criticism surrounding Berkeley’s philosophies, ranging from hostile and discounted, to valued and defended. The first volume includes an account of the life of Berkeley by J. Murray and key responses from 1711 to 1748, whilst the second volume covers the years between 1745 and 1796. This fascinating reissue illustrates the (...) breadth and diversity of the early reaction to Berkeley’s philosophies, and will help students and academics form a clear image of both Berkeley’s work and his reputation through the eyes of his contemporaries. (shrink)

In Science, Order and Creativity, David Bohm and F. David Peat argue that science has lost its way in recent years and needs to go beyond a narrow and fragmented view of nature and embrace a wider holistic view that restores the importance of creativity and communication for all humanity - not just scientists. The result of a close collaboration by one of the 20th century's greatest physicists and thinkers, David Bohm, with leading science writer F. (...) class='Hi'>David Peat, provides a rare combination of profound reflection and clear exposition that can be appreciated by anyone concerned with science and its importance in our lives. This new edition includes a new preface and an extended additional chapter by Peat which draws upon further discussions with David Bohm before the latter's death in 1992. A fascinating diagnosis and considered proposal for a cure for science's ills, it is also very accessible entry point to the work of David Bohm. Bohm and Peat contend that science has lost its bearings in the last century in favour of a narrow, abstracted, fragmented approach to nature and reality. Tracing the history of science, Bohm and Peat offer intriguing new insights into how scientific theories come into being, how to eliminate blocks of creativity and how science can lead to a deeper understanding of society, the human condition and the human mind itself. (shrink)

An edition of the recently discovered notebook used in the seventeenth-century by John Wallis to teach language to the 'deaf mute' Alexander Popham, who could not inherit unless he could speak - one of the most famous cases in the history of deaf education. David Cram and Jaap Maat place the work in its personal, social, and scientific contexts.

Among the many instruments devised by students of mathematical sciences in ancient Greece, the monochord provides one of the best opportunities to examine the methodologies of those who employed it in their investigations. Consisting of a single string which could be divided at measured points by means of movable bridges, it was used to demonstrate theorems about the arithmetical relationships between pitched sounds in music. This book traces the history of the monochord and its multiple uses down to Ptolemy, bringing (...) together all the relevant evidence in one comprehensive study. By comparing the monochord with a number of other ancient scientific instruments and their uses, David Creese shows how the investigation of music in ancient Greece not only shares in the patterns of demonstrative and argumentative instrument use common to other sciences, but also goes beyond them in offering the possibility of a rigorous empiricism unparalleled in Greek science. (shrink)

In The Novel and the Modern World I tried to explain the three factors that account for the special characteristics of the modern novel—the breakdown in community of belief about what was significant in experience, new notions of time, new notions of consciousness—with reference with changes to the social and economic fabric of society, for I was writing in the heyday of “social” thinking about literature that affected so many of us in the late 1930s. But I soon came to (...) feel that this explanation was too slapdash and that a much subtler kind of relationship existed between literature and society than the one I tried to present in 1938. That is why in the new addition of the book I substituted for some of the larger generalisations about society a closer reading of aspects of individual novels. But I have never given up my belief that there is a profound relationship between literature and society and that what might be called the heroic period of experiment and innovation of the novel on both sides of the Atlantic reveals something of that relationship. And in the years that followed the original publication of the book I have found no reason to abandon my general theory, but have applied it, with more subtlety , to a wider range of writers. David Daiches, professor of English at the University of Sussex, is the author of numerous books and articles. Among them, New Literary Values, The Novel and the Modern World, Virginia Woolf, and Literary Essays were pioneering studies in modern literature. He is currently working on Was, a book on the nature of memory and the relation of imagination and language. (shrink)

Widely regarded as the founder of the Islamic philosophical tradition, and as the single greatest philosophical authority after Aristotle by his successors in the medieval Islamic, Jewish, and Christian communities, Alfarabi was a leading figure in the fields of Aristotelian logic and Platonic political science. The first complete English translation of his commentary on Aristotle's Topics, Alfarabi's Book of Dialectic, or Kitāb al-Jadal, is presented here in a deeply researched edition based on the most complete Arabic manuscript sources. David (...) M. DiPasquale argues that Alfarabi's understanding of the Socratic art of dialectic is the key prism through which to grasp his recovery of an authentic tradition of Greek science on the verge of extinction. He also suggests that the Book of Dialectic is unique to the extent to which it unites Alfarabi's logical and political writings, opening up novel ways of interpreting Alfarabi's influence. (shrink)

Milan, David An atheist and his christian friend are engaged in cordial conversation. The latter is taken aback and is rather indignant when his atheist friend declaims, 'On this question of the existence of god I believe that our respective positions are much closer than you imagine'. The Christian's firm riposte is that, by definition, such a harmony of viewpoints is impossible. Unfazed, his non-believing friend offers a thoughtful defence of his claim. He begins, 'You know that, since time (...) immemorial, humankind has taken unto itself all manner of gods, and that almost all of these tribal deities have long since vanished into obscurity.'. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:NOTES AND DISCUSSIONS 161 2) You wish him to become what he is not, and no longer to be what he is now (literally: what he is now, no longer to be [283d 2-3]). 3) You wish for his death, since you wish him no longer to be (283d 5-6). The obvious way of dealing with this argument is to make precisely the distinction made by the author of (...) the Dissoi Logoi at V, 15: we should say to Dionysodorus, "Your conclusion that the friends of Cleinias wish for his death is the result of an illegitimate step: you went from 'you wish him not to be ignorant' to 'you wish him not to be'. To have made this step is to have ignored the distinction between existence with respect to some particular thing, i.e., ignorance, and existence in general." (A later critic might point out to Dionysodorus that he has confused the copulative and existential uses of the verb "to be.") It now becomes possible to return to the question, which of the two formulations, (a) or (b), does the author of the Dissoi Logoi presuppose? On the basis of the Euthydemus passage, it seems likely that he presupposed both. The conclusion of Dionysodorus' argument is (b), that Cleinias does not exist, but his conclusion is based upon (a) that Cleinias both is (ignorant) and is not (wise). The Euthydemus passage shows clearly that the words "if someone denies that the man exists" are considerably less of a non sequitur than might first appear. CONCLUSmN. The fallacy-solving distinction of Dissoi Logoi, u 15 was probably understood by Plato~ although not clearly formulated until Aristotle. How is this fact to be assimilated? Is the Dissoi Logoi (or at least this section) much later than has hitherto been presupposed? Or have scholars simply failed to credit its author with this important distinction? Until we have additional studies of the treatise, further discussion would be premature. ROSAMOND KENT SPRAGUE University o] South Carolina HUME'S A LETTER FROM A GENTLEMAN, A REVIEW NOTE In his biography of David Hume, E. C. Mossner notes that on May 21, 1745 there appeared in two Edinburgh newspapers the following advertisement: This Day will be published, and sold by the Booksellersin Town, A LETTER from a Gentlemanto his Friend at Edinburgh: containing some Observations on a Specimenof the PrinciplesconcerningRELIGION and MORALITY, said to be maintain 'd in a Booklately published,intituled, A Treatiseo] Human Nature, &c.I This Letter, Mossner discloses, was sent by David Hume to his friend Henry Home (later Lord Kames), and its publication was, he suggests, the "last 7A later passagein the Euthydemus, 293b ft.,in whichSocratesuses obstructive tactics when the sophistswish to movefrom "knowingx" to "knowingsimpliciter" seems to me to point in this direction.See R. K. Sprague,Plato's Use o] Fallacy (London, 1962),22-23, and passim on secundumquid. 1See The Li]e o] David Hume (Edinburgh: Thomas Nelson & Sons, Ltd., 1954), pp. 153162,esp.p. 160. 162 HISTORY OF PHILOSOPHY frantic effort" by Hume's friends to stem the rising opposition to his appointment to the vacant chair of Ethics and Pneumatical Philosophy at Edinburgh University. Mossner was obliged to report further, however, not only that this effort had been in vain, but also that what "may well constitute an important document in the further interpretation of some aspects of the Treatise" has "never been located." z Now a copy of the Letter has been located. It was purchased from a Birmingham bookseller in December, 1966, by the National Library of Scotland. And, with admirable celerity, a facsimile edition of it has been published by the Edinburgh University Press. Adding still further to the value of this important discovery is the accompanying Introduction which describes the events, parties, and personalities which occasioned the Letter. The editors tell us that John Pringle first offered to resign his chair of philosophy in June, 1744, two years after he had taken leave to accept the position of Physician-General to the British forces in Flanders. He sent his offer to John Coutts, Lord Provost of Edinburgh, and Courts, in turn, suggested to Hume that he apply. Had Pringle not delayed... (shrink)

Is something true because we believe it to be so or because it is true? How can a culturally bound community achieve scientific knowledge when values, attitudes, and desires shape its beliefs? In this book an eminent philosopher considers various schools of thought on the nature of truth. David Weissman argues that truth exists in the correspondence between statement and fact: what can be said about our world can be measured against a reality that has a character and existence (...) independent of any property we ascribe to it. Weissman begins by evaluating the transcendental paradigm of Kant that has exercised enormous influence in the development of Western thought over the past two hundred years. He develops his critique of the Kantian model, in which value judgments underlie the perception or construction of truth, asserting that it is seriously flawed because it renders a determination of truth impossible. Weissman examines various value-driven perspectives on truth developed by such philosophers as Foucault, Derrida, and Rorty, for whom truth is only the set of affirmations, principles, and procedures sanctioned by power and value. However, says Weissman, truth is the required adjunct to desire. Knowing who we are, where we have been, and the consequences of what we have done is the essential preparation for choosing what to do next. We must respect the integrity of a world we have not made and find our way within it with the help of attitudes and desires that have been informed by truth. (shrink)

The Drake Relays are one of the iconic events of track and field in the United States. World and Olympic champions test their speed and stamina on the famed Blue Oval in Des Moines, Iowa, every April, and by spring 2013 they had set fourteen world records and fifty-one American records. But unlike most other top meets, this one also features college athletes from all over the country and high school athletes from across Iowa, giving them the experience of a (...) lifetime—competing on the same track with the elite in their sport. This mix brings many enthusiastic spectators to the stadium and makes for an unusually close bond between fans and athletes—it’s as if everyone’s family is there cheering. Pulitzer Prize–winning photographer David Peterson has been covering the Drake Relays for nearly forty years, but his love affair with the meet started earlier, when he ran on three winning relay teams there for Kansas State University. Now, drawing upon an unmatched personal archive, he offers the pictures of a lifetime spent on the Blue Oval. He captures on camera athletes of all levels in triumph and defeat, in mid-stride or leap, embracing their fans, their moms and dads, and their kids. In addition to the stars of the past, such as Carl Lewis, Suzy Favor Hamilton, and Herschel Walker, and those of the ’00s, like Lolo Jones and Jeremy Wariner, we see teenagers who may be the stars of the future, as well as the many athletes who will never be famous but nonetheless show themselves—and their sport—at their best. A beautiful celebration of the Drake Relays and the diverse sports that make up “track and field,” this book will evoke memories and inspire runners, throwers, and jumpers everywhere. (shrink)

One of Noam Chomsky's earliest contributions is the idea that a theory of the unbounded construction of hierarchical structures should incorporate a computational system that generates the structures. This chapter focuses on the structure building system, what is sometimes called the computational system, as a source of explanation. In some sense it is the fundamental source of explanation in generative grammar, as it accounts for the central question of the unbounded hierarchical nature of the syntax of human language. The architecture (...) of the computational system of early generative grammar involves a device that carries out elementary operations following a procedure that maps strings of symbols to strings of symbols in two passes (a phrase structure sub‐procedure and a transformational sub‐procedure). (shrink)

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Emmanuel Levinas’ earliest development of thought is presented here as a phenomenological endeavor, i. e. in its relation to Husserl and Heidegger as well as in its own effort to give an appropriate philosophical account of,things themselves‘. The latter task is shown to have a transcendental dimension as it is a self-awareness of conscious life in which the faithful analysis of concrete phenomena and the concept of this life itself have to be brought into attunement. The perspective of Levinas’ phenomenological (...) gaze is then presented in these terms and shows two fairly distinct stages. Up to the mid-1930s Levinas appears as a follower of Martin Heidegger, when he advocates an appropriate approach to being in all its richness and therefore criticizes Husserl’s alleged intellectualism. Later, with a radicalized perspective, Levinas’ own philosophical project advocates an appropriate account of the problem of radical alterity beyond experience and phenomenology.He therefore criticizes both Husserl and Heidegger and remodels phenomenology so that it can adequately,understand‘ radical alterity and at the same time confine itself before it. (shrink)

The author provides starting points for a conversation between Wittgenstein and moral theology, using metaphysics and the philosophy of nature in the service of theology to illuminate one's life in Christ. Most of the theologians discussed are influenced by the tradition of Christian ethics found in Scripture and the church fathers.